Ancient Mesopotamia

History Blocks
Ancient Mesopotamis

Ancient

Mesopotamia

In Waldorf education, ancient Mesopotamia is studied in Grade 5, along with the other ancient civilizations. Students between the ages of 10 to 12 years old are developmentally ready to move from the mythic imagination of the earlier grades in which they covered legends, the Saints, and Norse mythology and are ready for the beginnings of recorded history and the cultural achievements of humanity.

Grade 5 is a transition year in which children go from studying mythology to recorded history. Students are introduced the great ancient cultures of India, Persia, Mesopotamia, Egypt, and Greece. Sometimes Ancient China is introduced in grade 5 as well. These civilizations, according to the Waldorf pedagogy, are seen as a stepping stone of ‘humanity’s journey towards self-awareness and individuality’. This concept is unique to Waldorf where it promotes that human consciousness develops, and the development is seen throughout the epochs of history, beginning with the ancient civilizations.

Ancient Mesopotamia is one of the first true historical civilizations were written law and structured society emerged. 

In the study of Ancient Mesopotamia, the fertile crescent is one of the first lessons. Geography is introduced through map making, and students learn how the land between the Tigris and the Euphrates rivers shaped life. However, the geography is presented in a practical, not abstract way through stories of rivers, flooding, irrigation, canals, and fertile soils.

This is also a great time to do some hands-on interactive projects and activities. Building small replicas of a shaduf or river canals, or a topographical map made from clay are great examples of hands-on projects that bring these lessons to life. 

The epic of Gilgamesh is often introduced as a bridge between myth and recorded history. In relaying the story, children experience how the myth evolved into written text and cultural memory. While this theme is seen in other educational pedagogies, a clear distinction between myth and history is imperative for the child who is seeking and testing truth in their adolescent years.

Notable achievements of civilizations are presented during the history main lesson blocks in Grade 5. Achievement such as writing, establishing law, architecture, agriculture, and mathematics are distinct in recorded history versus in the study of mythology, legends, and the stories of the Saints. The Grade 5 student is now interested in these topics whereas prior to this age, children lived one with the world, and there was no distinction between the world of imagination and the world of reality.

However, in the study of recorded history, the study of cultural beliefs and spiritual practices are a main component in the introduction of the main lesson block. Understanding what people believed in is imperative in understanding the people themselves. Therefore, gods and goddesses, especially those tied to the natural forces of the sun, moon, water and fertility are discussed in the ancient civilizations. As well, the movement from animism and mythology to organize religion, and the establishments of temples and spiritual life is highlighted and exemplified uniquely compared to the mythology studied in the younger grades.

Teachers continue with a narrative approach to lesson delivery, including chalk drawings and other imaginative techniques to draw the student in and keep in line with their development. 

The teacher presents stories of Mesopotamia as living stories of the kings, gods, builders, and scribes rather than dry historical facts. Teachers encourage artistic expressions of the lesson through the illustrations of nature, the gods and goddesses, temples, and geographical maps. While we tend to avoid depictions of ‘gods and goddesses’ we found that natural landscapes, architecture and limited illustrations of people and animals worked best for our family. Students may also practice their cuneiform writing on clay tablets as a simple interactive, hands-on activity. With a bit of clay, cuneiform writing is a low-cost, high impact hands-on activity.

Additionally, whenever possible, including recipes that are either culturally or historically significant is a great way to connect the students to the subject matter. 

Since the fertile crescent is such an important aspect of ancient Mesopotamia, growing grains is another simple yet powerful lesson the children may experience. 

Ancient Mesopotamia Resources & Projects

  • Ancient Mesopotamia

    The ancient civilizations blocks for the Waldorf curriculum for year 5 is fairly extensive having continued from the previous year's exploration of Norse mythology, the civilizations of Akkad and Sumer and the study of the Buddha and the Jataka Tales. For year 5, the student will cover the ancient civilizations of India, Persia, Mesopotamia, Egypt and finally Greece. Greek history and ancient Roman history will also be covered in year 6.

  • Book List | Ancient Mesopotamia

    The complete book list including links for our Ancient Mesopotamia main lesson block.

  • The Main Lesson Book

    We continued with our art medium of chalk pastels and really started to hone our skills this far in to our ancients main lesson block (this is the third of the year). We really like the way our art turns out and its fast and easy.

  • What Are Main Lesson Books ? | Waldorf Homeschool

    The Waldorf curriculum we use doesn't have a teaching manual and textbooks. There are no workbooks. We might not even see regular subjects as you'd expect in other traditional methods and the scope and sequence may be new to you. So what do you get when you order a Waldorf curriculum and what will your children do?

  • How to Make an Ancient Clay Wax Tablet

    We had to do this project 3 times before it worked and this is after the first time I tried this project back in 2010. Back then, I made a ‘book’ from cardboard/chipboard and lined the edges with extra chipboard to make a lip on the edges. Then I filled the cavity with melted wax to make a reusable wax tablet as part of our ancients’ main lesson blocks.

  • How To Build A Ziggurat

    Our handmade Ziggurat took 2 hours to make spread over several days. This project can be modified so it’s suitable for children as young as 7 years. The challenging parts of this project are the details like the staircase and arched opening, but doing three rectangular structures layered upon themselves with one staircase is good enough to get the general idea of a Ziggurat.

  • Cuneiform Clay Tablet

    This was one of the fastest easiest projects we've ever done. Not only easy, but so instructional and experiential. With just a few materials, you, too, can make your own cuneiform tablet. We used clay from Aardvark Clay. While this clay is meant to be fired, we let it air dry.

  • How to Make an Ancient Shaduf

    We made an ancient shaduf using Aardvark clay and bricks and filled the fields with wheat berries. We have made shadufs before, and honestly, those were easier and more historically relevant. I tried a new one based on an illustration in our Waldorf main lesson book for Ancient Mesopotamia and while I think it was beautiful and even functional in the end, it was time consuming and not quite what I was hoping for.

  • How to Make Mini Pita Bread

    We love adding recipes to our history units; and, for this unit, we made a super simple pita bread recipes. If you form these mini pitas by hand or roll them out with a rolling pin and cut them using a circular cookie cutter.

Ancient Mesopotamia

Ancient Mesopotamia Main Lesson Block

The ancient civilizations blocks for the Waldorf curriculum for year 5 is fairly extensive having continued from the previous year's exploration of Norse mythology, the civilizations of Akkad and Sumer and the study of the Buddha and the Jataka Tales. For year 5, the student will cover the ancient civilizations of India, Persia, Mesopotamia, Egypt and finally Greece. Greek history and ancient Roman history will also be covered in year 6.

For this unit, we opted to stay fairly close to the curriculum, Live Education Waldorf curriculum Ancient Mesopotamia . Usually we would add additional resources like picture books, biographies, historical fiction, craft books, cook books and more. This time, we included books we already had in our home library with the addition of a few library books (only one of which we used). The best book for this unit, and one I highly recommend (whether you are using a Waldorf approach) is Gilgamesh Man’s First Story by Bernarda Bryson. This book is wonderfully written, engaging and covers the mythology of Gilgamesh deeply and thoroughly. We found a couple of science activities to do in Ancient science, by Jim Wiese , but sadly our sugar crystals didn't grow, but we made some amazing smelling sugar syrup!

Main Lesson Book

We continued with our art medium of chalk pastels and really started to hone our skills this far in to our ancients main lesson block (this is the third of the year). We really like the way our art turns out and its fast and easy. What it’s not is clean! We are getting chalk dust everywhere and we are very careful to clean it into the trash can or use a wet paper towel to clean it up. Be sure not to blow on your work! This is probably the messiest art medium we’ve used, but the results are pretty stunning. Be sure to fix your work with a spray fixative. We used Blick Matte fixative and sprayed our work outside and left it outside until the smell subsided.

What Are Main Lesson Books ? | Waldorf Homeschool

The Waldorf curriculum we use doesn't have a teaching manual and textbooks. There are no workbooks. We might not even see regular subjects as you'd expect in other traditional methods and the scope and sequence may be new to you. So what do you get when you order a Waldorf curriculum and what will your children do?

I'm sharing our main lesson books for 5th grade. They are over a period of several years and with multiple children as well as my own 'teacher' main lesson book I make to use as an example for my children.

I'm sharing with you the main lesson books for Botany, Geometry, Ancient Egypt, Ancient Mesopotamia, Ancient India, The Ancient Culture of Persia and Ancient Greece.

You can see the complete lessons for Botany by clicking here.

You can also see the complete lessons for Geometry by clicking here.

Though we didn't do a main lesson for Ancient Egypt recently, we did do an Ancient Egypt Unit Study.

You can find Year 5 Live-Education curriculum here.

**For my Muslim audience, if you have questions about the religious nature of the ancient history main lesson blocks, please message me or leave a comment. Early on in our homeschooling journey I chose not to include these main lesson blocks as presented, then later I changed my mind. The artwork by no means glorifies the traditions of other civilizations; it is a teaching tool. As these main lesson blocks are coming around again for my third child, I will be modifying the lessons once again.**

How to Make an Ancient Clay Wax Tablet

We had to do this project 3 times before it worked and this is after the first time I tried this project back in 2010. Back then, I made a ‘book’ from cardboard/chipboard and lined the edges with extra chipboard to make a lip on the edges. Then I filled the cavity with melted wax to make a reusable wax tablet as part of our ancients’ main lesson blocks. That project worked about once, and very quickly it was apparent that chipboard was not the right material for a project like this. It’s been 14 years since that mishap. I’m attempting this project again as I homeschool my last child. This time, partly because of an abundance of clay, I thought we could make it with clay and add wax as before and the wax wouldn’t soak through the chipboard or spill out everywhere. Well, the wax still spilled everywhere and now we ran into two more issues, which needed to be fixed if we were going to have a successful go at this project.

We used clay from Aardvark Clay. While this clay is meant to be fired, we let it air dry. To avoid cracking, use a final piece at least a quarter inch thick, any thinner and the tablet is likely to break. To avoid breakage while drying, form tablet on a plastic wrapped clipboard so you can easily lift clay tablet before or after drying.

This time, when the clay lay drying in the sun, it curled up on all sides. I mistakenly thought I could gently press it back down, but it cracked into several pieces. I added more clay to the broken pieces and made sure the clay was extra wet and repaired the clay tablet. The problem was that I should have started from scratch because the piece was not as sturdy as it would have been had it been remade from scratch. This time, I added parchment paper to a baking tray and laid parchment paper over it and weighted it down with some pyrex dishes and baked it in 5 minute intervals at 350 degrees. All was as well as could be once I removed it from the oven. I added my melted wax and it still spilled over the edges! I recommend 1/4 inch lip or higher.

Once the wax cooled, we found it to be too hard to carve into and ended up using it as a tablet for dry erase markers which was novel but remains unused. We attempted one more design. I used Sculpey UltraLight Oven Bake Clay and designed a smaller tablet with a lip on all sides. Once again this lip was too short and the wax spilled over. This time I mixed beeswax with coconut oil (maybe 1:1 ratio) and the wax was just right. We could write or press cuneiform letters and gentle warm the wax to reform or use our fingers to gentle press the wax back to form to reuse again.

How To Build A Ziggurat

Our handmade Ziggurat took 2 hours to make spread over several days. This project can be modified so it’s suitable for children as young as 7 years. The challenging parts of this project are the details like the staircase and arched opening, but doing three rectangular structures layered upon themselves with one staircase is good enough to get the general idea of a Ziggurat.

We used a Claybord from Blick Art Supplies measuring 8 inch square. The clay is from Aardvark clay and is in 3 different colors and cone numbers. Since we are not firing our clay in a kiln, as we are air drying, we didn’t mind mixing clay of different cone numbers. We rehydrated our clay in water as we bought it years ago and it had dried to a point of being unusable. I placed it in a large plastic tray and filled it with water. I turned the clay over after 12 hours so all sides were submerged in the water. The clay became useable once again and maybe too wet! Once we formed our ziggurat, we had better precision in forming and cutting the clay when the clay had dried for a day or two. Other supplies were our clay tools. It’s been years since we bought them, but I’m sharing an alternative to the ones we used. If you don’t have tools as these, you may use a toothpick or popsicle stick. We also used a baking scraper which came in very helpful at the end of the project. It took several days up to 1-2 weeks for our ziggurat to dry completely. We only had breakage on one staircase. The ‘ground’ cracked completely, so I removed it, but the structure dried very well with almost no cracking.

Now that our ziggurat has dried completely, it had turned slightly lighter. It’s quite durable, save the staircase and it now resides in our school room. Since doing this project, I have found alternative to the ClayBord. The Dollar Tree sells non-stretched canvas measuring 8 inch squared for only $1.25. It’s a suitable alternative and in fact, once the project is complete it lifts from the board fairly easily so the board may be used again.

Cuneiform Clay Tablet

This was one of the fastest easiest projects we've ever done. Not only easy, but so instructional and experiential. With just a few materials, you, too, can make your own cuneiform tablet. We used clay from Aardvark Clay. While this clay is meant to be fired, we let it air dry. To avoid cracking, use a final piece at least a quarter inch thick, any thinner and the tablet is likely to break. To avoid breakage while drying, form tablet on a plastic wrapped clipboard so you can easily lift clay tablet before or after drying.

We used a chopstick as our writing utensil. Cuneiform writing is a mix of short and long strokes. We used our Live Education Waldorf curriculum for Ancient Mesopotamia for the phrase we wrote: Heaven and Earth. We cut our clay with a homemade tool of wire twisted around two dowels. We easily sliced portions of clay off our block. The clay had dried out considerable since we purchased it years ago, but I soaked it in water for 12 hours and it was soft enough to work with. I probably could have soaked it for 2-3 hours and it would have been soft enough.

Once we formed the clay to the desired size, we rolled it out with a wooden roller. If you didn't have this miniature tool, we could use a rolling pin. Keep the thickness at least 1/4" to reduce breakage once dried. If you didn't have clay, you could use Sculpey, Ultralight Oven Bake clay. Once you do your writing, you could bake it for 15-20, then paint it.

How to Make an Ancient Shaduf

We made an ancient shaduf using Aardvark clay and bricks and filled the fields with wheat berries. We have made shadufs before, and honestly, those were easier and more historically relevant. I tried a new one based on an illustration in our Waldorf main lesson book for Ancient Mesopotamia and while I think it was beautiful and even functional in the end, it was time consuming and not quite what I was hoping for. So stay tuned! An easier, more affordable, faster version is coming up, iA.

We planted wheat berries in the 'fields' and that was new and different and looked so pretty, but watering those berries in those tiny soil-filled compartments was a challenge. We managed but water got everywhere and if the clay got too wet is disintegrated and if it got too dry on the thin parts it crumbled. If you want to use clay, I suggest polymer clay or my favorite, Sculpey UltraLight Oven Bake clay. Instead of bricks for a tower, I would suggest clay or even better, sticks for a more traditional and authentic shaduf. Shadufs are hand powered, so a counterweight is necessary and the ability to swing it from the water source to the channels is also necessary.

How to Make Mini Pita Bread

With one basic dough recipe, you can make dozens of breads with subtle changes like adding olive oil, replacing water with milk and/or yogurt, adding eggs (makes dough softer), and changing the ratio of flour to water. For this recipe, I used my bread maker to make the dough. Using setting 8 (which takes 1.5 hours), I made dough to make mini pitas.

I made this dough drier to make these pitas because I planned to roll out the dough and use a metal circle cutter to form the pitas. When making a dry dough, versus a 1:1 or 1:1.5 dough which I use to make pizza puffs or focaccia, I like to use my Kitchenaid or bread maker because it does the kneading for you. The bread maker is also great to use on cooler days because it gentle warms the inner compartment to aid in rising.

Recipe: 3-4 cups of flour, 1 teaspoon of salt, 1/4 teaspoon of yeast, 1.5 cups of water, 1-2 tablespoons of brown sugar (or sugar), and 2 tablespoons of olive oil. Using lukewarm water, add water, sugar, yeast and oil to a bowl or bread maker. Gently mix. You may let it sit to let the yeast bubble, but I rarely do that. I usually add everything together, only recently mixing salt with the flour, but my dough has always risen unless my water is hot. Add flour and salt and mix and knead until incorporated. Let it rise for 1-4 hours.

You may let it rise in the refrigerator overnight. Roll out dough to 1/8-1/4 inch thick (thickness doesn’t matter too much as long as you are consistent so it bakes evenly, the thinner the dough, the quicker it bakes). I used a circle cutter to make the pitas. I brushed olive oil on each one. I used parchment paper over an aluminum tray. I preheated the oven to 420 degrees and bakes for 5-8 minutes. Keep on eye so as not to over bake. Remove from oven and serve with hummus or the Indian food seen at the end of the video.